My interdisciplinary practice investigates material occupation and states of transition. I work with substances that absorb, seep, harden, stain, or erode—attending to their porosity, liquidity, and temporal instability. Liminality and the occupation of in-between states are core tenets of my conceptual exploration. Matter is not passive in my work; it directs form through its inherent properties and reactions to stimuli such as pressure, gravity, heat, impact, and proximity.
Processes such as casting and photography function as indexes of malleability, registering absence, suspension, and trace. Time operates in layered ways—through the cast surface, the movement of material, and iterative repetition.
I am interested in how material behavior mirrors bodily experience—how flesh, earth, and atmosphere participate in cycles of emergence and return. Encounters with architecture, whether interior or exterior, further extend these investigations into volumetric space. Through sculpture, installation, and photography, I construct environments that foreground material agency and invite viewers to consider their own physical and temporal entanglement with place.